Sonic and shadow the hedgehog as gay humans

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March 5, 2018

In music theory there’s this understood thought that brasses sound heroic and forceful, and strings sound gentle and feminine, a theory reinforced by years of musicology in theatre. What happened is when movies were new, and attaching music to characters in a particular way moved out of the Musical and into just telling stories, a sort of language of music got started.

We already had it that brass music sounded strong and forceful and heroic – something that John Phillip Sousa sort of ran into the ground as a theme. By comparison, strings sounded delicate and Not Fancy Brass, so the formed an clear counterpart for the fragile and the frail. Then over several thousand movies and repeated apply of these two ideas in movies where boys were strong and girls were objects, we wound up where we are now, where despite never actually being accurate, horns ‘sound masculine’ and strings ‘sound feminine.’

I mean, consider about this: What’s the Superman theme sound like?

Anyway, this means that when we reach help into earlier, pre-movie theatrics, though, we still now spot that same c